The lights go down again, and the credits roll: The Philadelphia Story. Cary Grant, and Katherine Hepburn -- two of Cooper's favorites. When the lights come up, Cooper's eyes aren't on the screen.

They're on the woman by the door, who's looking straight at him.

The Log Lady. Without her log.

She crooks a finger at him, and then slips out the door into the night.

"Moiraine," Cooper says, quietly, "I think we may have a social call to make."